肖斯塔科维奇作品目录
Op.1: Scherzo F sharp minor for orchestra (1919)- \! W; D4 R* p' d% Z
Op.2: Eight Preludes for piano (1919-1920)9 V0 T, K2 f, ?& |8 ^
Op.2B: Minuet, Prelude and Intermezzo for piano (1919-1920)! |2 ?+ b" `: W0 c
Op.2C: Murzilka for piano (1920)
" O1 S" W5 \. tOp.2D: Five Preludes for piano (1920-1921)- Y8 F- N7 X9 n5 o
Op.2E: Orchestration of "I Waited in the Grotto" by Rimsky-Korsakov for soprano and orchestra (1921)
- l+ N$ O6 I" W2 P* M ROp.3: Theme and Variations B flat major for orchestra (1921-1922)( P, E) S$ c/ n* e/ g8 k/ t& |
Op.3B: Transcription of Theme and Variations B flat major for solo piano (1921-1922) ]2 p& e( C/ Q
Op.4: "Two Fables of Krilov" for mezzo-soprano, female chorus and chamber-orchestra (1922)
, G. C. e2 b* EOp.4B: Transcription of "Two Fables of Krilov" for mezzo-soprano and piano (1922)& v+ C! w& [7 C1 N
Op.5: "Three Fantastic Dances" for piano (1922)
3 K6 L/ T4 ]! J; c4 o+ y4 POp.6: Suite F sharp minor for two pianos (1922)1 N/ h: L, h8 ]0 |
Op.7: Scherzo E flat major for orchestra (1923-1924)' s+ p& C# ? i$ p/ X3 A
Op.7B: Transcription of Scherzo E flat major for solo piano (1923-1924)
# V1 m! s: U g2 L V/ pOp.8: Trio for violin, cello and piano No.1 (1923)' P2 m; m6 |; D6 |% Y
Op.9: Three pieces for cello and piano (1923-1924)- ?! V$ z/ }$ L
Op.10: Symphony No.1 F minor (1924-1925)" o% o- J% v( _ f4 c4 |4 h k
Op.11: Prelude and Scherzo for string octet (or stringorchestra) (1924-1925)/ x8 f [; Z! C
Op.12: Piano Sonata No.1 (1926)4 @' k3 r% g( H2 V& T, z( M; h
Op.13: "Aphorisms", ten pieces for piano (1927)+ s1 h3 E# l( J1 C! o
Op.14: Symphony No.2 B major "To October" with chorus (1927)
. Z& I, \4 n3 Y) F+ M. WOp.14B: Reduction of the choral score of Symphony No.2 for voices and piano (1927)
* D2 Q1 \2 A1 i7 m# `Op.15: "The Nose", opera in 3 acts after Gogol (1927-1928); R* L8 k$ e7 B3 |( `$ v0 `0 E% ]
Op.15A: Suite from "The Nose" for tenor, baritone and orchestra (1927-1928)
- ?. K5 f& a4 r- aOp.15B: Reduction of the accompaniment of "The Nose" for piano (1927-1928)4 P( S: g. R+ F4 j
Op.16: "Tahiti-Trot" for orchestra (1928)2 z7 q1 e. a5 J" n0 y) ~1 z
Op.17: Two Pieces by Scarlatti for windorchestra (1928)
( b: z+ R8 Z/ KOp.18: Music to the Silent Film "New Babylon" for small orchestra (1928-1929)- h0 R+ Q) U4 V+ B8 H% ~; P- G
Op.18B: Suite from "New Babylon" for orchestra (1976); M- n$ g) J1 a
Op.19: Music to the Comedy "The Bedbug" by Mayakovsky (1929)
! y* \+ G2 G+ n* m; M0 hOp.19B: Suite from "The Bedbug" for orchestra (1929).2 _: ^% P7 g2 q, ~% c
Op.19C: Arrangement of Music to "The Bedbug" for piano (1929)) v) b5 _. n& q( e6 P/ h9 ?
Op.20: Symphony No.3 E flat major "The First of May" with chorus (1929)( t1 k U. b/ [( T2 d
Op.20B: Reduction of Symphony No.3 for solo piano including a vocal score of the final chorus (1929)% F. Z5 u6 T. g0 ]6 D+ i' M% ~
Op.21: Six Romances on Words by Japanese Poets for tenor and orchestra (1928-1932)
1 i! s9 U+ X2 ]5 k) V* i% _6 dOp.21B: Six Romances on Words by Japanese Poets for tenor and piano (1928-1932)6 ^8 ~2 D" j7 X, P
Op.22: "The Age of Gold", ballet in 3 acts (1929-1930)
# @9 x" T0 T. w, A, w1 FOp.22A: Suite from "The Age of Gold" for orchestra (1929-1930)1 @9 {' h/ P. m$ S
Op.22B: Polka from "The Age of Gold" for solo piano (1935)
! w3 W) |# h4 y' LOp.22C: Polka from "The Age of Gold" for piano four hands (1962)
% V# ?6 s* \% F9 Q/ L" h3 h, B7 xOp.23: Two Pieces for Erwin Dressel's Opera "Armer Columbus" for orchestra (1929)
+ d7 m6 W5 i2 n5 c) q H- N, wOp.24: Music to the Play "The Gunshot" by Bezymensky (1929)
# R8 Q+ u8 j7 {* wOp.25: Music to the Play "Virgin Soil" by Gorbenko and L'vov (1930)
5 S6 t1 f+ ]; @7 vOp.25B: Transcription of "Symphony of Psalms" by Strawinsky for two pianos (1930)3 g( H ]8 e* X. C1 B% V; J
Op.26: Music to the Film "Alone" (1930-1931)% S) S2 S/ e& w: ~( N
Op.26B: Suite from "Alone" for orchestra (1930-1931)
* M2 x& L/ @7 u1 L0 v* v: y9 t; `Op.27: "The Bolt", ballet in 3 acts (1930-1931)
# u1 u/ b E# x' w5 n: W3 B! N3 yOp.27A: Suite from "The Bolt" for orchestra (1931)
* ~# o! q0 G# d, w! dOp.28: Music to the Play "Rule, Britannia!" by Piotrovsky (1931)
3 Q/ o) ^) e% W* ~- }Op.29: "Lady Macbeth of the Mtsensk District", opera in 4 acts after Leskov (1930-1932)
# T/ w8 X. v+ [( J1 uOp.29A: Suite from "Lady Macbeth of the Mtsensk District" for orchestra (1930-1932)7 u( e1 r( M( t% S8 y5 n" R
Op.29B: Passacaglia from an Entr'acte to "Lady Macbeth of the Mtsensk District" for organ (1930-1932)
7 y" ?+ y6 }' WOp.30: Music to the Film "Golden Mountains" (1931)3 p3 O, e( A6 R S% b
Op.30A: Suite from "Golden Mountains" for orchestra (1931)
( A$ B& {3 D5 k0 `5 R9 ~Op.30B: Two Pieces for string quartet (1931)
8 o' H9 p7 a3 f, m8 B9 y d! ?# Q7 N8 [Op.30C: "The Green Company", overture (1931)
0 w+ E' W% `, ]7 X/ f% m' Z) ~Op.31: Music to the Stage Revue "Hypothetically Murdered" by Voyevodin and Riss (1931)
' z1 \ L5 M& w; Y! [/ t" p. G! fOp.31A: Orchestration of "Hypothetically Murdered" (1992)1 f Y. e/ D2 V4 b
Op.31B: Reduction of Four Movements of the Music to "Hypothetically Murdered" for piano (1931)) V6 ?& l% a/ D6 o. s
Op.32: Music to the Play "Hamlet" by Shakespeare (1931-1932)5 G) ?2 {0 g0 |" Z0 V
Op.32A: Suite from "Hamlet" for small orchestra (1932)
! X' A; G/ Z: o3 I, c8 _Op.32B: "From Karl Marx to Our Own Days", symphonic poem for solo voices, chorus and orchestra (1932)
3 @. W6 }) r3 w$ m7 A! MOp.32C: "The Big Lightning", comic opera (1932)
' E) w" @0 R7 g! f" s wOp.33: Music to the Film "Counterplan" (1932)
; _7 U" I5 _% j; g- W- |1 @# uOp.33B: "Song about the Oncoming Train" and "My Heart's Aching and Moaning" from "Counterplan" for voice and piano (1956)
/ f0 N3 Q8 o" y- }3 H( n sOp.33C: "We meet this Morning (The Song of the Young Workers)" from "Counterplan" for voice and piano (1956)
- S5 f. E/ D, H# uOp.34: Twenty-Four Preludes for piano (1932-1933)
+ q/ q: a; X4 M3 O! G4 ZOp.34B: Transcription of "Twenty-Four Preludes" for violin and piano (1932-1933)
" c, A. M9 u0 A- q- X0 MOp.34C: Transcription of "Twenty-Four Preludes for orchestra (1932-1933)# M# s2 b& z2 w; ~ H
Op.34D: Transcription of Prelude Op.34 No.14 for orchestra (1932-1933)1 l4 k' Y @% Y) Q4 V
Op.35: Concerto No.1 C minor for piano, trumpet and orchestra (1933)! \7 z0 m+ |9 k% o/ A
Op.35B: Reduction of Piano Concerto No.1 for two pianos (1933), y, F7 Z8 `- b5 d0 |
Op.36: Music to the Trickfilm "The Tale of the Priest and His Worker Balda" for chamber orchestra (1933-1934)
S" ?, D5 m- C7 \1 eOp.36B: Suite from "The Tale of the Priest and his Worker Balda" (1935)1 w; c8 u. e6 s4 S6 k
Op.37: Music to the Play "The Human Comedy" after Balzac for small orchestra (1933-1934)
- P) {0 B$ ~, l+ h1 ]: @Op.38: Music to the Film "Love and Hate" (1934)& r( ~! k9 P, | y7 v2 ]& s$ i
Op.38B: Suite for jazz orchestra No.1 (1934)
! q* S' l' v8 G" KOp.39: "The Limpid Stream", ballet in 3 acts (1934-1935)
1 { i$ \6 x8 _/ pOp.39B: Suite from "The Limpid Stream" for orchestra (1934-1935)+ }' [) p( j8 b) o* g' ` @1 U
Op.39C: Moderato from "The Limpid Stream" for cello and piano (1934-1935)
$ X! ^( ?2 S- a, R$ X: b; cOp.40: Sonata D minor for cello and piano (1934), z' U* k3 y4 |9 [
Op.40B: Moderato for cello and piano (1934)
9 ~' V# G7 R8 h' n5 h/ |Op.41: Music to the Film "The Youth of Maxim" (1934-1935)0 }8 e. O8 c$ p- j
Op.41A: Music to the Film "Girl Friends" (1934-1935)
0 m+ h8 y" c8 P0 k; G7 m: f- tOp.42: Five Fragments for small orchestra (1935); R7 r% b1 u' i) p) W) M. L( _
Op.43: Symphony No.4 C minor (1935-1936)
/ _; F9 ^2 ?; F. X& [2 X2 GOp.43B: Reduction of Symphony No.4 for two pianos (1935-1936)0 J( W% Y8 L& W" s; o* p8 B% k2 [
Op.44: Music to the Play "Hail, Spain" by Afinogenov (1936)
: d. _7 \! u) k3 M8 HOp.45: Music to the Film "The Return of Maxim" (1936-1937)
- I( J1 w* g% t' i' U! Q/ d! q5 dOp.46: Four Romances on Verses by Pushkin for bass and piano (1936-1937)
6 V2 N/ n" ~; n" UOp.46B: Orchestration of "Four Romances on Verses by Pushkin for bass and orchestra (1936-1937): h4 c$ F9 |, D" {4 h: [- h# D
Op.46C: Arrangement of Nos. 1, 2 and 3 of Four Romances on Verses by Pushkin for bass and stringorchestra (1936-1937)* z8 e, M& D% v M; k+ H# H5 X7 s4 _
Op.47: Symphony No.5 D minor (1937)3 G/ y1 p7 Y$ C+ h; m! j& h, o
Op.47B: Reduction of Scherzo (Allegretto) of Symphony No.5 for solo piano (1937)
2 Q/ ~4 Z9 K6 P/ ?- j4 r9 QOp.48: Music to the Film "Volochayev Days" (1936-1937)
5 } }7 r/ r' G) ?3 jOp.48B: Orchestration of "Internationale" by Degeyter (1937)+ d3 ]% |6 v- O3 _ s0 y& K
Op.48C: "The Twelve Chairs", operetta (1937-1938)7 \$ V( D- F% W3 K2 z) P
Op.49: String Quartet No.1 C major (1938)6 N. x) m* X, Z+ |0 C9 s
Op.50: Music to the Film "The Vyborg District" (1938)% U- u! k* N* d$ ?
Op.50A: Suite from "The Maxim Film-Trilogy" for orchestra and chorus (1938)
- P. C6 ?/ x( z: j5 q* qOp.50B: Suite for jazz orchestra No.2 (1938)
- ^" P) Y6 ^& n- A' Y/ F, r3 nOp.51: Music to the Film "Friends" (1938)! P2 p8 g8 J/ J2 y% @3 E
Op.51B: "Vocalise" from "Friends" for unaccompanied chorus (1938)
7 m/ R0 l! Z* z% ~7 m v9 ?% l4 g& }Op.52: Music to the Film "The Great Citizen", first part (1938)( Y2 p8 W/ }2 q9 y; ]) N
Op.53: Music to the Film "The Man with a Gun" (1938)% E7 N8 W3 I1 d5 `* X! z0 i
Op.53B: Lenin Symphony for soli, chorus and orchestra (1938-1939)3 j1 _6 W8 ^7 Q) a* W2 m
Op.54: Symphony No.6 B minor (1939)
7 t# b% Q/ M" |/ S4 MOp.55: Music to the Film "The Great Citizen", second part (1939)4 X; L7 g. W" [" F; y$ n& w7 q
Op.56: Music to the Trickfilm "The Silly Little Mouse" (1939)5 k2 ]3 m: E' i, `; M
Op.57: Piano Quintet G minor (1940): V! K' }* o% Y* n) @
Op.58: Orchestration of the Opera "Boris Godunov" by Mussorgsky (1939-1940)
) S3 V8 R w, Z- HOp.58A: Music to the Play "King Lear" by Shakespeare (1940)4 l( E: E! H7 Z
Op.58B: Reduction of "King Lear" for piano (1940)
8 P' S) f! u) s9 A4 V: G# M6 nOp.58C: "Songs of the Fool" and "Ballad of Cordelia" from "King Lear" for voice and piano (1940)0 g* o* f! S( }* Z- k$ q
Op.58D: Orchestration of "Wiener Blut" by Strauss (1940)
& f# Q, Q( ?" [Op.58E: Orchestration of "The Excursion Train Polka" by Strauss (1940)
: y( U3 E$ G! q+ iOp.58F: Orchestration of 27 Romances and Songs Arrangements (1941)
, D# s5 q& p( BOp.58G: "The Oath to the People's Commissar" for bass, chorus and piano (1941)
2 L5 `4 C8 p3 F1 `7 |4 lOp.58H: "The Fearless Regiments Are On the Move", marching song with simple accompaniment for bayan or piano (1941)4 N6 R+ r4 e2 B/ g! i; C
Op.58I: Polka for harp duet F sharp minor (1941)
5 z' g( N( U4 s/ e) u( vOp.59: Music to the Film "The Adventures of Korzinkina" (1940)
: R9 A7 f' B. O" {Op.59B: Suite from "The Adventures of Korzinkina" (1940), n( h+ u2 I$ U. j+ `
Op.59C: Three Pieces for solo violin (1940)
1 T7 j5 x8 \. U' qOp.59D: "Katyusha Maslova", opera after Tolsty's novel "Resurrection" (1940)5 P" _7 Y8 D7 Q0 X" Y
Op.60: Symphony No.7 C major "Leningrad" (1941)/ z; C0 `! n& F$ T t4 s
Op.61: Piano Sonata No.2 B minor (1942), B% z) _9 D3 h* u
Op.62: Six Romances on Verses by English Poets for bass and piano (1942)
( h0 Y6 b# `5 s% v/ NOp.62A: Six Romances on Verses by English Poets for bass and orchestra (1943)
( W4 r/ ]' F Q# Z- ]- \Op.63: Music to the Spectacle "Native Country", suite "Native Leningrad") t+ l! J+ p& z' Z3 y
(1942)
2 P" H0 Q% K! Q" `Op.63B: Piece of the Opera "The Gamblers" after Gogol (1941-1942)
8 S+ K3 i5 b, |9 \2 P/ L8 _* t: cOp.63C: Solemn March for military band/wind orchestra (1942)
; j& W g- l" U& _9 Y- \Op.63D: "Patriotic Song" after Dolmatovsky for voice(s) (1943)
J, x; j+ D" X% ]Op.63E: "Song About the Red Army" after Golodny (1943)* A8 B+ \! Z# B
Op.63F: Orchestration of Eight British and American Folk Songs for voice(s) and orchestra (1943)+ Y# S. S o* Q/ [5 z, A1 p& b
Op.63G: Russian Folk Songs for chorus (1943)
v! o5 ~% q0 x2 u( K SOp.63H: Three Russian Folk Songs for two soloists and chorus with piano accompaniment (1943)9 W5 O4 j+ U, L- k0 E# J. V
Op.64: Music to the Film "Zoya" (1944)2 Q$ R+ {/ w# \0 H$ Z9 \
Op.64A: Suite from "Zoya" for chorus and orchestra (1944), e5 i1 K( Z! s6 c2 ]1 S
Op.64B: "She Was Born a Brave Girl in Her Homeland" from "Zoya" for voice and piano (1944)
7 s9 |' ~. H$ {2 ^5 s! POp.65: Symphony No.8 C minor (1943)
* v7 w# G; B3 Z$ l9 COp.66: Music to the Spectacle "Russian River" for soloists, choir and orchestra (1944)* c7 a5 v" O" K h' o" W
Op.66B: Orchestration of Fleishman's Chamber-Opera "Rothschild's violin" after Chekhov (1944)/ y' M, E/ w c+ K/ ~( c1 F
Op.67: Trio for violin, cello and piano No.2 E minor (1944)
. J' R _+ s3 z# c9 y tOp.68: String Quartet No.2 A major (1944)3 o( S5 s" v4 w, W$ k
Op.69: "Children's Notebook", six pieces for piano (1944-1945)# R" Q, |, f3 O3 `4 ]0 ~0 v6 p3 @- z
Op.70: Symphony No.9 E flat major (1945)
" |- E: [1 R" @7 YOp.70B: Reduction of Symphony No.9 for piano four hands (1945)+ I" h0 n: J) `3 ?' V' }) @# _
Op.71: Music to the Film "Simple People" (1945)/ W( D3 G) Q) a( L
Op.72: Two Songs to the Spectacle "Victorious Spring" after Svetlov for voices and orchestra (1945)6 D0 b0 j2 K8 g* c0 b X
Op.72B: Accompaniment of Nos. 1 and 2 of "Victorious Spring", arranged for piano (1945), m2 {6 S1 g0 V3 D0 ^
Op.73: String Quartet No.3 F major (1946)3 X+ p' K7 P, m, M
Op.73A: Transcription of String Quartet No.3 for strings and woodwinds (1946)& }- Y6 W1 Q# A
Op.73B: Reduction of String Quartet No.3 for two pianos (1946)
: E2 V+ O# o! o1 O5 v) U) eOp.74: "Poem of the Motherland", cantata for mezzosoprano, tenor, two baritones, chorus and orchestra (1947)
$ `1 N* R3 Z) f* C1 g% o7 K2 E3 |" t8 gOp.75: Music to the Film "The Young Guards" after Fadeyev's novel (1947-1948), p7 m) ? l9 h' m8 x# H- v9 m1 H
Op.75A: Suite from "The Young Guards" (1951)& z; J! `* r( F
Op.76: Music to the Film "Pirogov" after German (1947)$ l1 `$ b- ` y9 h0 {8 M
Op.76A: Suite from "Pirogov" for orchestra (1947)/ N( G, o: R2 X7 W' p2 B- g
Op.76B: Three Pieces for orchestra (1947-1948)' N e2 c0 l! O3 V
Op.77: Violin Concerto No.1 A minor (1947-1948)- v9 \# i9 Y; k' [4 }
Op.77B: Reduction of Violin Concerto No.1 for violin and piano (1947-1948)9 l) D7 F. K! I) N+ [
Op.78: Music to the Film "Michurin" (1948)5 z9 ]8 R+ _' [; o! ?
Op.78A: Suite from "Michurin" for chorus and orchestra (1964)
, i8 U4 {2 n; L) eOp.78B: "Rayok" (Little Paradise) for four voices, chorus and piano (1948)
4 G! ]* U' H2 E2 ?# a* nOp.79: "From Jewish Folk Poetry", song cycle for soprano, contralto, tenor and piano (1948)
+ u* D# q% W$ W) m4 @Op.79A: "From Jewish Folk Poetry", song cycle for soprano, contralto, tenor and small orchestra (1948)
/ ^& C) p. C' l9 @1 lOp.80: Music to the Film "Meeting on the Elbe" for voices and piano (1948)
/ }4 F8 A# u8 y2 Z0 x$ P2 ^$ j/ W2 iOp.80A: Suite from "Meeting on the Elbe" for voices and orchestra (1948)7 r0 a7 I( K6 z2 E/ |% y1 o! M$ @
Op.80B: Three Songs from "Meeting on the Elbe" for voice and piano (1956); b) \$ }' T) C4 f2 r
Op.81: "Song of the Forests", oratorio after Dolmatovsky for tenor, basssoli, mixed & boys' chorus and orchestra (1949)+ v0 i6 X) H4 M) U) S+ S1 o# k Y
Op.81B: "In the Fields Stand the Collective Farms" from "Song of the Forests" for children's chorus and mixed chorus (1960)
; _6 K9 I" M( g2 W3 y& bOp.81C: "A Walk into the Future" from "Song of the Forests" for voice and piano (1962)
) D! J5 X' I$ g8 _, ^Op.82: Music to the Film "The Fall of Berlin" (1949) D3 @, w8 v& N- ? o l
Op.82A: Suite from "The Fall of Berlin" for chorus and orchestra (1950)2 N( E' E& x# F% X
Op.82B: "Beautiful Day" from "The Fall of Berlin", song for two-part children's chorus and piano (1950)
. X2 s0 ?* j8 |2 d& hOp.82C: "Vocalise" from "The Fall of Berlin", song for s.a.t.b. chorus a cappella (1950)/ \) {0 r( g. m7 C2 S
Op.83: String Quartet No.4 D major (1949). c: @. V6 ^- y4 P) z7 r4 E$ k
Op.83A: Transcription of String Quartet No.4 for orchestra (1949)" T2 P! i0 [2 g, S8 f. A
Op.83B: Reduction of String Quartet No.4 for two pianos four hands (1949)
; a7 a4 m' K% z" u& A* pOp.84: Two Romances on Verses by Lermontov for male voice and piano (1950)
4 N- ]4 i% z: g, {) Q) [' nOp.84B: Ballet Suite No.1 for orchestra (1949)# h! z. ~4 h4 s. q0 J+ w9 l! v
Op.84C: Merry March for two pianos (1949)' Q" q7 j! c6 I0 j7 {6 J
Op.85: Music to the Film "Byelinsky" for orchestra and chorus (1950)' H. D- d7 t! s* Y1 V# [# ^/ @. O' c. w
Op.85A: Suite from "Byelinsky" for chorus and orchestra (1960)
( H9 L$ ~' p2 Y: L5 x }& ^5 XOp.85B: Four Choruses from the Music to "Byelinsky" for s.a.t.b. chorus a cappella (1950)8 }' z$ K# j, I
Op.86: Four Songs to Words by Dolmatovsky for voice and piano (1951). d; t* Z) z% W6 Z+ v; `: M
Op.86B: "The Homeland Hears" for chorus and tenor soloist with wordless chorus (1951)( N7 N1 _) V0 D' F2 r6 T, T
Op.86C: "Ten Russian Folk Song Arrangements" for soloists, mixed chorus and piano (1951)7 A8 u/ K" N3 t3 u, k7 ~
Op.87: Twenty-Four Preludes and Fugues for piano (1950-1951)$ B1 p+ }8 ]0 p" }: E
Op.87B: Arrangement of No.15 of "Twenty-Four Preludes and Fugues" for two pianos (1963)# a" q, D- E0 C$ B; u
Op.87C: Arrangement of No.8 of "Twenty-Four Preludes and Fugues" for orchestra (1990)* l7 F! _' r! j" O
Op.87D: Transcription of "Twenty-Four Preludes and Fugues" for violin and piano (1990)
, X8 W7 m+ b, W ROp.88: Ten Poems on Texts by Revolutionary Poets for chorus and boys' chorus a cappella (1951)0 B, \0 X+ b& V* O: Z" V
Op.89: Music to the Film "The Unforgettable Year 1919" (1951)$ X0 I0 V" N- p- d
Op.89A: Suite from "The Unforgettable Year 1919" for orchestra (1953)" g+ @; |2 J, f3 m7 p0 w' h* F
Op.89B: Ballet Suite No.2 for orchestra (1951)
* f, L y) }! B4 ^Op.89C: Two Pieces from "Ballet Suite No.2" for cello and piano (1951)
; ~3 ^$ \! Q2 {5 hOp.90: "The Sun Shines on Our Motherland", cantata after Dolmatovsky for mixed & boys' chorus and orchestra (1952)
/ C. G& T# r( k9 r) \1 }8 I) I. sOp.90B: Reduction of the Accompaniment of "The Sun Shines on Our Motherland" for piano (1952)
3 y3 k8 Y/ D/ ]; G# R5 v' oOp.91: Four Monologues on Verses by Pushkin for bass and piano (1952). e' m% ]( M, M0 w
Op.91B: Orchestration of "Four Monologues on Verses by Pushkin" for bass and orchestra (1952)8 s1 T; ~1 M$ F
Op.91C: "Seven Doll's Dances" for piano (1952)
* i. q/ ]" y( q1 ?8 SOp.91D: Ballet Suite No.3 for orchestra (1952) ]- `7 U+ A: {% `: E5 p
Op.91E: Greek Songs for voice and piano (1952-1953)
* g. W3 G6 S0 h$ M8 {( JOp.91F: Ballet Suite No.4 for orchestra (1953)0 S& d; x* v) n' S, Z& F
Op.92: String Quartet No.5 B flat major (1952)# F- v. U+ }6 `
Op.93: Symphony No.10 E minor (1953)- q2 H# K- ~+ i* Q. [
Op.93B: Reduction of Symphony No.10 for piano four hands (1953)
6 J/ t- A# i1 H0 {% SOp.94: Concertino for two pianos A minor (1953)
& D# L$ B3 |: t2 ^1 K$ S. LOp.95: Music to the Film "Song of the Great Rivers" (1954)
( m, n% U' q9 Q# ]3 yOp.95B: "Poem of Labour" from "Unity", arranged for mixed chorus and orchestra (1954)* G3 B# n+ n% K0 Y' [* \8 t
Op.95C: Two Songs from "Unity" ("A Song of Unity" and "Peaceful Labour"),arranged for voice and piano
7 ] E! ?0 F/ C2 l3 d4 A# U(1954)+ s8 r1 p) Z$ \
Op.95D: Waltz from "Unity" for orchestra (1954)2 u/ i; [$ k* x" q2 z
Op.95E: Music to the Play "Hamlet" by Shakespeare (1954)6 b. |! l0 C( r* K: v5 }
Op.95F: "Pendozalis", Greek Song for voice and piano (1954) j: O# A- F, n' g3 f# T* o' H a
Op.95G: "October Dawn", song for soloists and chorus (1954)' ^& Q5 ~, m% q1 z) D' R: u
Op.96: Festive Overture A major for orchestra (1954): j6 e: H' k! a! Y9 K! r
Op.97: Music to the Film "The Gadfly", based on the novel by Voynich (1955)" i0 T' [1 G X$ Y9 f1 y U
Op.97A: Suite from "The Gadfly" for orchestra (1955)" Q' X; N7 m9 }$ A2 Q( h
Op.97B: "Tarantella" from "The Gadfly" for two pianos (1955)4 F/ i7 H% O. Y& i) v
Op.97C: Four Waltzes for flute, clarinet and piano (1955)
* E! Z$ s: H5 A3 W5 o% wOp.97D: Three Violin Duets for two violins with piano accompaniment (1955). T& D7 O7 o+ M/ a8 x! P/ H5 r/ h# y
Op.98: Five Romances on Verses by Dolmatovsky for bass and piano (1954)
$ R6 I" X' ~* }2 j% g. ~# ]Op.98B: "There Were Kisses", song after Dolmatovsky for voice and piano (1954)8 h# `8 }+ f( ` ^# C- |! O c) u
Op.99: Music to the Film "The First Echelon" (1955-1956)
" b3 H, _5 K% P4 xOp.99A: Suite from "The First Echelon" for chorus and orchestra (1956)1 z) O9 a3 U! V) b2 O
Op.99B: Two Songs from the Music to "The First Echelon" for voice and piano (1956)/ v: \# k( f9 [3 H
Op.100: "Spanish Songs" for (mezzo)soprano and piano (1956)
- c5 H6 c4 J" q8 G, k6 JOp.101: String Quartet No.6 G major (1956)
8 e2 i4 i* s# }+ t- VOp.102: Piano Concerto No.2 F major (1957)
# {) N) V2 B) x% C# A% G- kOp.102B: Reduction of Piano Concerto No.2 for two pianos (1957)
2 Z) n2 }3 q2 D: }9 Z( t/ A9 ?Op.103: Symphony No.11 G minor "The Year 1905" (1957)" t$ a, x( [2 F2 i3 L1 \- {
Op.103B: Reduction of Symphony No.11 for piano four hands (1957)/ ?6 N0 d3 f$ o, b; u2 Z6 t n7 Z# E, |
Op.104: Cultivation: Two Russian Folk Song Arrangements for chorus a cappella (1957)
2 D' u& K' C& L6 e! ^7 z( {Op.104B: Eleven Variations on a Theme by Glinka for piano (1957)
0 j! i; V% G9 {$ ]8 w) zOp.105: "Moscow-Cheryomushki", operetta in 3 acts (1958)7 D' Z' D) L7 @; `! S
Op.105A: Music to the Film "Cheryomushki" (1962)2 z* l& H- q% h9 W# e
Op.106: Re-orchestration of Mussorgsky's Opera "Khovanshchina" (1959)/ d4 s2 r& H: d$ b$ _
Op.107: Cello Concerto No.1 E flat major (1959)
) J+ h2 g4 Z1 J* a X+ NOp.107B: Reduction of Cello Concerto No.1 for cello and piano (1959)
3 N2 @* v' R" S! [" iOp.108: String Quartet No.7 F sharp minor (1960); D* ~! N4 x8 }8 X7 |: U
Op.109: "Satires (Pictures of the Past)", Five Romances on Verses by Chorny for soprano and piano (1960)+ M9 {6 m9 ]! e# x$ ?9 T, l* S% H" G
Op.109B: Orchestration of "Satires", Five Romances on Verses by Chorny for soprano and orchestra (1960)
& @" X1 n+ B+ O5 I: t& o9 X$ i: dOp.110: String Quartet No.8 C minor (1960)" n+ @2 c* D$ h; P; U) W1 |
Op.110A: Chamber Symphony C minor (1960), h& ]) |& i) `4 x) u+ e6 _
Op.111: Music to the Film "Five Days - Five Nights" (1960)
$ [% \; h) X! [6 Q& z) b4 dOp.111A: Suite from "Five Days - Five Nights" for orchestra (1961)% F6 g- x; j6 C d$ i
Op.111B: "Novorossiisk Chimes, the Flame of Eternal Glory" for orchestra (1960) z: e- [1 J! w3 B4 v' X6 b
Op.112: Symphony No.12 D minor "The Year 1917" (1961)
3 S! c% b2 N4 O9 aOp.112B: Reduction of Symphony No.12 for piano four hands (1961)
5 a/ i, A* Z6 Q3 Z2 jOp.113: Symphony No.13 B flat minor "Babi-Yar" after Poems by Yevtushenko for bass, bass chorus and orchestra (1962)4 N/ x# h; R& s) \; P% V7 k
Op.113B: Reduction of Symphony No.13 for two pianos four hands (1962). D0 o5 z4 I3 R, _5 {# K
Op.114: "Katerina Izmailova", opera in 4 acts after Leskov (1956-1963)1 O. M* |0 e/ V* z
Op.114A: Suite of Five Fragments from the Opera "Katarina Izmailova" for orchestra (1963)
! p) L9 {. m. x3 c5 ~Op.114B: Music to the Film "Katerina Izmailova" (1966)4 h5 D, g' d% ?0 ?
Op.114C: Passacaglia from the Opera "Katerina Izmailova" for organ/ z2 s; Y% E E: J8 B2 g0 j( }
Op.115: Overture on Russian and Khirghiz Folk Themes for orchestra (1963)4 y3 A5 w- a) r( O
Op.116: Music to the Film "Hamlet" after Shakespeare for orchestra (1963-1964)" o8 E1 C+ y. ]; u' C g
Op.116A: Suite from "Hamlet" for orchestra (1964)) N, X* ?& S5 G K3 T N( p. j/ E" h$ ^
Op.117: String Quartet No.9 E flat major (1964)
3 x0 A8 j$ c% d7 R6 o) [& cOp.118: String Quartet No.10 A flat major (1964)
; J, y+ _; K& ]% I: J; \1 ]! ?- uOp.118A: Symphony for Strings A flat major (1964)$ q- c# y) u, H1 V$ ^6 z5 V
Op.119: "The Execution of Stepan Razin", cantata after Yevtushenko for bass, mixed chorus and orchestra (1964)
) n# |7 f3 _+ N, a8 QOp.119B: Reduction of "The Execution of Stepan Razin" for voices and piano (1964)
9 t ~9 K5 r3 d4 h- E1 \Op.120: Music to the Film "A Year Is Like a Lifetime" for orchestra (1965)/ v5 K/ S! {9 o3 i/ g3 U' ~
Op.120A: Suite from "A Year Is Like a Lifetime" for orchestra (1965)
9 I6 O! z. G% BOp.121: Five Romances on Texts from the Magazine "Krokodil" for bass and piano (1965)
( L# n5 c+ J# M" rOp.122: String Quartet No.11 F minor (1966)
2 y1 R5 ?% @6 k. BOp.123: "Preface to the Complete Collection of My Works and Brief Reflections on this Preface" for bass and piano (1966)
" N9 ^# G2 f( I# ^5 b9 eOp.124: Two Choruses after Davidenko for chorus and orchestra (1962)
- `! V) g4 `9 v4 x8 c* NOp.124B: Transcription of "Songs and Dances of Death" by Mussorgsky for voice and piano (1962)2 v5 {. t" N! A' K# |4 ]
Op.124C: The Lady and the Hooligan, ballet in one act
( g6 u* G7 H/ C' ROp.125: Instrumentation of Schumanns Cello Concerto A minor (1963)" r |4 p4 _/ N' o& u
Op.126: Cello Concerto No.2 G minor (1966)
9 f8 J" s% C3 @Op.126B: Reduction of Cello Concerto No.2 for cello and piano (1966) M3 |* Z: q q# o
Op.127: Seven Romances on Poems by Blok for soprano, violin, cello and piano (1967)
+ {% \$ s; g/ ^# T5 X% fOp.128: Romance "Spring, Spring" to Verses by Pushkin for bass and piano (1967)
- h" L1 S1 o( IOp.128B: Orchestration of Romance "Spring, Spring" to Verses by Pushkin for bass and orchestra (1967)
1 i( d, O! i# q4 T' s# i7 X' N7 F) IOp.129: Violin Concerto No.2 C sharp minor (1967)
. n, [% V$ V& V& H6 d, AOp.129B: Reduction of Violin Concerto for violin and piano (1967)' o1 Q- d& K8 V$ U( w7 c3 a
Op.130: Funeral-Triumphal Prelude for orchestra (1967)
6 g" y! x3 C' U: d% {+ ?Op.131: "October", symphonic poem C minor for orchestra (1967)
' c9 G7 ~5 @7 Z/ u0 M/ e7 D$ l( XOp.132: Music to the Film "Sofya Perovskaya" (1967): C5 {. s: u) `" \2 d' _/ p
Op.133: String Quartet No.12 D flat major (1968)6 m+ g$ v/ B9 c2 y. A
Op.134: Sonata for violin and piano (1968)
& F& a' J. I$ r$ e6 gOp.134B: Orchestration of Tishchenko's Cello Concerto No.1 (1969)3 D0 v: m3 E1 W& B. Y8 n' W
Op.135: Symphony No.14 for soprano, bass, string orchestra and percussion (1969)8 a. J& G) s& g; r
Op.135B: Reduction of Symphony No.14 for voices and piano (1969)
# ` r6 w, @6 k0 L- {5 x$ AOp.136: "Loyalty", eight ballads after Dolmatovsky for unaccompanied male chorus (1970)' P& d2 S2 I: p8 G1 m7 h9 A2 ^
Op.137: Music to the Film "King Lear" after Shakespeare (1970)
3 R8 T1 A: E5 Z. q* B3 w& m6 KOp.137B: "People's Lamentation" from "King Lear", arranged for voice and piano (1970)
# C Y" J; M6 ?# Q! l3 X( HOp.138: String Quartet No.13 B flat minor (1970): w* v, f* d2 V# d
Op.139: "March of the Soviet Militia" for military band/wind orchestra (1970), P/ p* F# ^# F, k
Op.140: Six Romances on Verses by English Poets for bass and chamber-orchestra (1971)
; o! V ~6 l* }3 @( h6 i( @- w+ bOp.141: Symphony No.15 A major (1971)$ y& k' r& w; J8 z7 [
Op.141B: Reduction of Symphony No.15 for two pianos (1971): [% t4 D7 @* M
Op.141C: Transcription of "Serenada" by Braga for soprano, mezzo-soprano, violin and piano (1972)& ~$ \, @7 C7 w: A$ @3 P9 \5 _# `& F& @
Op.142: String Quartet No.14 F sharp major (1972-1973); c# P) v( e D$ S% F
Op.143: Six Poems by Marina Tsvetayeva, suite for (contr)alto and piano (1973). }# z/ A6 l2 }$ x) ?: S0 ?
Op.143A: Six Poems by Marina Tsvetayeva, suite for (contr)alto and chamber-orchestra (1974)
2 J* u" V3 _4 t5 POp.144: String Quartet No.15 E flat minor (1974)8 w6 [7 M* |9 u$ G/ h" o1 M
Op.144A: "Epilogue", Transcription of String Quartet No.15 for string orchestra (1994)
* G; X& J. F+ s8 o6 n9 @$ cOp.145: Suite on Verses by Buonarrotti for bass and piano (1974); h! m0 H+ H3 @% U
Op.145A: Suite on Verses by Buonarrotti for bass and orchestra (1975)
2 G+ M# z0 ~% M5 m4 g3 vOp.146: Four Verses of Captain Lebyadkin to Texts by Dostoyevsky for bass and piano (1975)
3 Y4 {2 l1 [+ u8 Z1 Y1 VOp.146B: Orchestration of Beethovens Arrangement (Op.75 No.3) of Mephistopheles's Song of the Flea (1975)
& _2 V5 {* x3 E: h0 r: DOp.146C: "The Dreamers" ballet in 4 acts (1975)1 ]& p. h% c B1 S
Op.147: Sonata for viola and piano (1975)& g; \, t3 j9 W" F8 M& g7 A2 h
Op.147A: Transcription of Op.147 for cello and piano (1975)
" _7 y9 i1 W' U, {% c$ }Op.147B: Transcription of Op.147 for viola, strings and celesta (1990)
9 Q# ^, D: T MOp.147C: Symphony No.16 (1975)
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